Quote:
Originally Posted by shane32Eire Apocalypse now, Platoon, Desperado.
Sit down. |
Apart from Apocalypse now, your choices make no sense. The ONLY reason I would replace a DVD is for a movie filmed in 70mm.
But that's a bloody short list - in fact, here it is.
2001 being my first pick...
If your film ain't on it - DVD is the way to go.
* Oklahoma! (1955) - Todd-AO @ 30 frame/s; this production also shot in 35 mm CinemaScope @ 24 frame/s
* The Miracle of Todd-AO (1956) - Todd-AO @ 30 frame/s; short subject
* Around the World in Eighty Days (1956) - Todd-AO; reportedly shot with two 65 mm cameras running at 30 and 24 frame/s, respectively
* Raintree County (1956) - MGM Camera 65; exhibited only in 35 mm CinemaScope
* South Pacific (1958) - Todd-AO
* The March of Todd-AO (1958) - Todd-AO; short subject
* Ben-Hur (1959) - MGM Camera 65
* Porgy and Bess (1959) - Todd-AO
* The Big Fisherman (1959) - Super Panavision 70
* The Tale of Old Whiff (1960) - Todd-70 and Smell-O-Vision; short subject
* Scent of Mystery (1960) - aka Holiday in Spain; Todd-70 and Smell-O-Vision
* Can-Can (1960) - Todd-AO
* The Alamo (1960) - Todd-AO
* Exodus (1960) - Super Panavision 70
* West Side Story (1961) - Super Panavision 70
* Lawrence of Arabia (1962) - Super Panavision 70
* Mutiny on the Bounty (1962) - Ultra Panavision 70
* It's a Mad, Mad, Mad, Mad World (1963) - Ultra Panavision 70; presented in 70 mm Cinerama
* Cleopatra (1963) - Todd-AO
* Man in the 5th Dimension (1964) - Todd-AO; NYC World's Fair short subject
* The Fall of the Roman Empire (1964) - Ultra Panavision 70
* My Fair Lady (1964) - Super Panavision 70
* Cheyenne Autumn (1964) - Super Panavision 70
* The Sound of Music (1965) - Todd-AO
* Those Magnificent Men in Their Flying Machines (1965) - Todd-AO
* The Agony and the Ecstasy (1965) - Todd-AO
* The Greatest Story Ever Told (1965) - Ultra Panavision 70; presented in 70 mm Cinerama
* The Hallelujah Trail (1965) - Ultra Panavision 70; presented in 70 mm Cinerama
* Battle of the Bulge (1965) - Ultra Panavision 70; presented in 70 mm Cinerama
* Lord Jim (1965) - Super Panavision 70
* Khartoum (1966) - Ultra Panavision 70; presented in 70 mm Cinerama
* Grand Prix (1966) - Super Panavision 70; presented in 70 mm Cinerama
* The Bible: In The Beginning (1966) - Dimension 150
* Doctor Dolittle (1967) - Todd-AO
* Playtime (1967) - filmed with a 65mm Mitchell camera; presented in a non-standard aspect ratio of approximately 1.8:1
* 2001: A Space Odyssey (1968) - Super Panavision 70; presented in 70 mm Cinerama
* Ice Station Zebra (1968) - Super Panavision 70; presented in 70 mm Cinerama
* Star! (1968) - Todd-AO
* Chitty Chitty Bang Bang (1968) - Super Panavision 70
* Hello, Dolly! (1969) - Todd-AO
* Krakatoa, East of Java (1969) - Todd-AO; presented in 70 mm Cinerama
* Mackenna's Gold (1969) - Super Panavision 70
* Airport (1970) - Todd-AO
* Patton (1970) - Dimension 150
* Ryan's Daughter (1970) - Super Panavision 70
* Song of Norway (1970) - Super Panavision 70; advertised as "On the Cinerama screen" in some countries
* The Last Valley (1971) - Todd-AO
* Symbiosis (1982) - Super Panavision 70 @ 30 frame/s; Disney Epcot short subject
* Auto-E-Motion (1984) - BMW promotional short subject
* A Year Along the Abandoned Road (1991) - Norwegian short film
* Far and Away (1992) - Panavision System 65; segments in Arri 765 and 35mm VistaVision
* Baraka (1993) - Todd-AO
* Tour Eiffel (1994) - Arri 765; short subject
* Hamlet (1996) - Panavision System 65; segments in Arri 765
Partial-70/65mm
* The Horsemen (1971) - Super Panavision 70
* Close Encounters of the Third Kind (1977) - special effects shots only; early promotional material erroneously suggested that the entire film was produced in Super Panavision 70
* Star Trek: The Motion Picture (1979) - special effects shots only
* The Empire Strikes Back (1980) - selected special effects work
* Tron (1982) - live-action scenes and partial-CGI scenes only; entirely-CGI shots filmed in VistaVision
* Blade Runner (1982) special effects shots only
* Brainstorm (1983) virtual reality sequences only
* Little Buddha (1993) - Arri 765, Buddha flashback scenes only
* Contact (1997) - background plates
* Spider-Man 2 (2004) - selected special effects shots only
* The New World (2005) - "hyper-reality" scenes only
* The Prestige (2006) - selected wide shots only
* Stephen Hawking's Beyond the Horizon (2007) - Arri 765; dialogue scenes only
* Sunshine (2007) - rear projection process work